Suite española No. 1, Op. 47: Sevilla (Sevillanas)
Isaac Albéniz, Alicia de Larrocha
Albéniz: Ibéria; Navarra; Suite Española
4:37 February 19, 1988
BPM
117
Key
D Major
Camelot
10B

Embed

Share Link

Suite española No. 1, Op. 47: Sevilla (Sevillanas) - Isaac Albéniz, Alicia de Larrocha Information

Acousticness
98%
Danceability
38%
Energy
7%
Instrumentalness
91%
Liveness
11%
Loudness
54%
Speechiness
4%
Valence
23%
Popularity
Loudness
-27.63 dB

Summary

Isaac Albéniz, Alicia de Larrocha's 'Suite española No. 1, Op. 47: Sevilla (Sevillanas)' came out on February 19, 1988. With this song being about 5 minutes long, at 4:37, "Suite española No. 1, Op. 47: Sevilla (Sevillanas)" by Isaac Albéniz, Alicia de Larrocha is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 21 in Albéniz: Ibéria; Navarra; Suite Española by Isaac Albéniz, Alicia de Larrocha. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Suite española No. 1, Op. 47: Sevilla (Sevillanas) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Suite española No. 1, Op. 47: Sevilla (Sevillanas) BPM

The tempo marking of Suite española No. 1, Op. 47: Sevilla (Sevillanas) by Isaac Albéniz, Alicia de Larrocha is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.

Suite española No. 1, Op. 47: Sevilla (Sevillanas) Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Suite espanola No. 1, Op. 47: No. 5. Asturias (arr. A. Segovia) by Andrés Segovia, Isaac AlbénizSuite espanola No. 1, Op. 47: No. 5. Asturias (arr. A. Segovia)Andrés Segovia, Isaac AlbénizG Major39B115 BPM
12 Piezas caracteristicas, Op. 92: No. 7. Zamba granadina (arr. A. Segovia) by Andrés Segovia, Isaac Albéniz12 Piezas caracteristicas, Op. 92: No. 7. Zamba granadina (arr. A. Segovia)Andrés Segovia, Isaac AlbénizD Minor07A136 BPM
Cello Sonata in G Minor, Op. 19: III. Andante by Sergei Rachmaninoff, Leonard Elschenbroich, Alexei GrynyukCello Sonata in G Minor, Op. 19: III. AndanteSergei Rachmaninoff, Leonard Elschenbroich, Alexei GrynyukE♭ Major05B90 BPM
Nocturne No. 1 in E-Flat Major by John Field, Benjamin FrithNocturne No. 1 in E-Flat MajorJohn Field, Benjamin FrithE♭ Major05B73 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Waldszenen, Op. 82: No. 7 Vogel als Prophet by Robert Schumann, Wilhelm KempffWaldszenen, Op. 82: No. 7 Vogel als ProphetRobert Schumann, Wilhelm KempffE Major012B120 BPM
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) by Jacques Offenbach, Staatskapelle Dresden, Silvio VarvisoLes Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle)Jacques Offenbach, Staatskapelle Dresden, Silvio VarvisoD Major010B121 BPM
Rhapsodie Orientale, Op. 29: 1. Andante by Alexander Glazunov, Orchestre Symphonique de Montréal, Charles DutoitRhapsodie Orientale, Op. 29: 1. AndanteAlexander Glazunov, Orchestre Symphonique de Montréal, Charles DutoitD♭ Major03B89 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezPiano Concerto in G Major, M. 83: II. Adagio assaiMaurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezE Major012B74 BPM
Piano Sonata No. 8 In C Minor, Op. 13 -Piano Sonata No. 8 In C Minor, Op. 13 -"Pathétique": 1. Grave - Allegro di molto e con brio - LiveLudwig van Beethoven, András SchiffC Minor15A75 BPM
ISRC
GBF078611243
Label
L-M Records/RCA Records

Section: 0.8266825675964355

End: 0.8314821720123291