"Interlude" by Ernest Chausson, Jules Massenet, Gabriele Ferro, Orchestra Sinfonica Di Torino Della Rai was released on 1983. The duration of Interlude is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Interlude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Shirley Verrett Recital". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Italy. Interlude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Interlude by Ernest Chausson, Jules Massenet, Gabriele Ferro, Orchestra Sinfonica Di Torino Della Rai having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Lieder, Op. 27: 2. Cäcilie | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | E♭ Minor | 3 | 2A | 97 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Die tote Stadt, Op. 12, Act II: Tanzlied des Pierrot | Erich Wolfgang Korngold, Ophélie Gaillard, Monte-Carlo Philharmonic Orchestra, James Judd | G Major | 1 | 9B | 73 BPM | ||
L'Oiseau de feu (1911 Version): XVI. Danse infernale de tous les sujets de Kastchei | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Major | 0 | 6B | 77 BPM | ||
Poème | Johanna Gossner, Ernest Chausson, Duo Minerva, Damian Keller | E♭ Major | 0 | 5B | 181 BPM | ||
The Sea: No. 3 Moonlight | Frank Bridge, New Zealand Symphony Orchestra, James Judd | E Minor | 0 | 9A | 78 BPM | ||
Cello Concertino No. 2 in G Major, Op. 41: II. Andante | Julius Klengel, Martin Rummel, Mari Kato | B Minor | 1 | 10A | 88 BPM |
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