- BPM
- 73
- Key
- G Major
- Camelot
- 9B
Die tote Stadt, Op. 12, Act II: Tanzlied des Pierrot - Erich Wolfgang Korngold, Ophélie Gaillard, Monte-Carlo Philharmonic Orchestra, James Judd Information
- Acousticness
- 88%
- Danceability
- 10%
- Energy
- 12%
- Instrumentalness
- 70%
- Liveness
- 8%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 12%
- Popularity
- 4%
- Loudness
- -22.1 dB
Summary
"Die tote Stadt, Op. 12, Act II: Tanzlied des Pierrot" by Erich Wolfgang Korngold, Ophélie Gaillard, Monte-Carlo Philharmonic Orchestra, James Judd was released on 2015. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 10 in Exiles - Bloch: Schelomo; From Jewish Life / Korngold: Cello Concerto / Prokofiev: Overture on Hebrew Themes by Ophélie Gaillard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Die tote Stadt, Op. 12, Act II: Tanzlied des Pierrot is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die tote Stadt, Op. 12, Act II: Tanzlied des Pierrot BPM
The tempo marking of Die tote Stadt, Op. 12, Act II: Tanzlied des Pierrot by Erich Wolfgang Korngold, Ophélie Gaillard, Monte-Carlo Philharmonic Orchestra, James Judd is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Die tote Stadt, Op. 12, Act II: Tanzlied des Pierrot Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | |
 | Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | F Major | 3 | 7B | 76 BPM | |
 | The Poaching Miller - Original Version | Erich Wolfgang Korngold | F♯ Major | 4 | 2B | 127 BPM | |
 | La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | |
 | Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | |
 | Coach To Dover | Erich Wolfgang Korngold | F Major | 1 | 7B | 82 BPM | |
 | Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | |
 | The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | |
 | Das Wunder der Heliane / Act 3: Höret mich, Brüder | Erich Wolfgang Korngold, Reinhild Runkel, René Pape, Rundfunkchor Berlin, Deutsches Symphonie-Orchester Berlin, John Mauceri | C Major | 3 | 8B | 86 BPM |
- ISRC
- FROV61514203
- Label
- L-M Records/RCA Records
Section: 0.6823110580444336
End: 0.6864867210388184