Georges Delerue, Alain Goraguer made "Ursula - From Le bel âge, 1959" available on January 6, 2012. The duration of Ursula - From Le bel âge, 1959 is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Ursula - From Le bel âge, 1959's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Georges Delerue's "Les premiers super 45 tours de Georges Delerue (Original Movie Soundtrack)" album is number 4 out of 26. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Ursula - From Le bel âge, 1959 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ursula - From Le bel âge, 1959 by Georges Delerue, Alain Goraguer to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
Peer Gynt, Op. 23: Au matin | Edvard Grieg, Vanessa Wagner, Thibault Lebrun | D Major | 0 | 10B | 62 BPM | ||
Then It's a Gift (End Title) | Maurice Jarre | G Major | 4 | 9B | 169 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
La renaissance | Christophe Julien | G Major | 4 | 9B | 121 BPM | ||
オン・ザ・レーク | 梅林 茂 | G Minor | 0 | 6A | 88 BPM | ||
Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) | Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens | D Major | 0 | 10B | 73 BPM | ||
L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | D Major | 0 | 10B | 80 BPM |
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