Zdislawa Donat, Wiener Philharmoniker, James Levine's 'Der Hölle Rache (Aria) from Die Zauberflöte, K. 620' came out on 1958. The duration of Der Hölle Rache (Aria) from Die Zauberflöte, K. 620 is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Der Hölle Rache (Aria) from Die Zauberflöte, K. 620's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Mozart Greatest Hits" album is number 11 out of 16. Based on our statistics, Der Hölle Rache (Aria) from Die Zauberflöte, K. 620's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Der Hölle Rache (Aria) from Die Zauberflöte, K. 620 by Zdislawa Donat, Wiener Philharmoniker, James Levine to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tambourin Chinois, Op. 3 | Fritz Kreisler, Christian Li, Timothy Young | F Major | 3 | 7B | 161 BPM | ||
Carmina Burana: Fortune plango vulnera | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | B♭ Major | 2 | 6B | 134 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
The Arrival Of The Queen Of Sheba, From Solomon | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 3 | 11B | 118 BPM | ||
Rieding: Violin concertino Op. 24 in G Major: I. Allegro moderato | Oskar Rieding, Maria Antònia Pons-Estel Tugores, Valentin Moldovan | D Major | 2 | 10B | 111 BPM | ||
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 1 | 8A | 147 BPM | ||
Grieg: In the Hall of the Mountain King from Peer Gynt - From "Peer Gynt, Suite No. 1, Op. 46" | Erich Kunzel, Cincinnati Pops Orchestra | G Major | 1 | 9B | 109 BPM | ||
Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | ||
L'invitation au château, FP 138: Acte 2: Tango | Francis Poulenc, Eric Le Sage | F Minor | 0 | 4A | 97 BPM |
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