"Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve" by Alexander Borodin, Leonard Bernstein, New York Philharmonic was released on November 17, 2017. With Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Polovetsian Dances and other Russian Favorites (Remastered)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve by Alexander Borodin, Leonard Bernstein, New York Philharmonic having a BPM of 0 with a half-time of 0 BPM and a double-time of 0 BPM, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, Leonard Bernstein, Israel Philharmonic Orchestra | G Major | 0 | 9B | 127 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | A Major | 2 | 11B | 70 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
Chichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4 | Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | F♯ Minor | 0 | 11A | 70 BPM |
Section: 0.7498879432678223
End: 0.7535538673400879