"Kyrie: Call to Prayer" by Bournemouth Symphony Chorus was released on January 1, 1994. The duration of Kyrie: Call to Prayer is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Kyrie: Call to Prayer's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in African Sanctus & Dona Nobis Pacem by David Fanshawe. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Kyrie: Call to Prayer's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kyrie: Call to Prayer by Bournemouth Symphony Chorus is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM | ||
The Marriage of Figaro, "Le Nozze di Figaro", K.492: Overture | London Philharmonic Orchestra, Edward Downes | D Major | 2 | 10B | 148 BPM | ||
Four New Seasons, Spring: III. Dear March, Come in | Paul Carr, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Gavin Carr | F Minor | 5 | 4A | 161 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Royal Concertgebouw Orchestra, Erich Kleiber | C Minor | 3 | 5A | 96 BPM | ||
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | D Minor | 0 | 7A | 140 BPM | ||
Intimations of Immortality, Op. 29: Now, while the birds thus sing a joyous song | Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill | F♯ Minor | 3 | 11A | 116 BPM | ||
The Firebird Suite *: Danse infernale du roi Kastchei / King Kastchei's Infernal Dance | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Major | 4 | 11B | 152 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Act I - Dance Of The Soviet Sailors: Apple | St. Petersburg State Symphony Orchestra, Reinhold Glière | D Minor | 3 | 7A | 79 BPM |
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