Intimations of Immortality, Op. 29: Now, while the birds thus sing a joyous song
Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill
Finzi: Intimations of Immortality / for St Cecilia
4:43 May 16, 2006
BPM
116
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Intimations of Immortality, Op. 29: Now, while the birds thus sing a joyous song - Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill Information

Acousticness
93%
Danceability
27%
Energy
28%
Instrumentalness
58%
Liveness
70%
Loudness
69%
Speechiness
4%
Valence
14%
Popularity
Loudness
-18.848 dB

Summary

"Intimations of Immortality, Op. 29: Now, while the birds thus sing a joyous song" by Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill was released on May 16, 2006. With this song being about 5 minutes long, at 4:43, "Intimations of Immortality, Op. 29: Now, while the birds thus sing a joyous song" by Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 18 in Finzi: Intimations of Immortality / for St Cecilia by Gerald Finzi. In terms of popularity, Intimations of Immortality, Op. 29: Now, while the birds thus sing a joyous song is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Intimations of Immortality, Op. 29: Now, while the birds thus sing a joyous song BPM

The tempo marking of Intimations of Immortality, Op. 29: Now, while the birds thus sing a joyous song by Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.

Intimations of Immortality, Op. 29: Now, while the birds thus sing a joyous song Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Film music for Henry V: 2 Pieces for Strings: II. Passacaglia: Death of Falstaff by William Walton, Bournemouth Sinfonietta, Richard StudtFilm music for Henry V: 2 Pieces for Strings: II. Passacaglia: Death of FalstaffWilliam Walton, Bournemouth Sinfonietta, Richard StudtE Minor09A79 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro by Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard SchwarzBach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. AllegroOttorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard SchwarzD Major210B126 BPM
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 by Bedřich Smetana, Jitka ČechováAlbum Leaf for Kateřina Kolářová in B Major, JB 1:20Bedřich Smetana, Jitka ČechováB Major01B70 BPM
Berceuse for Piano in D-Flat Major by Mily Balakirev, Christian SpringBerceuse for Piano in D-Flat MajorMily Balakirev, Christian SpringD♭ Major03B80 BPM
Berceuse by Germaine Tailleferre, Sara Chenal, Jean-Pierre FereyBerceuseGermaine Tailleferre, Sara Chenal, Jean-Pierre FereyA Major011B101 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Prelude for Cello & Piano by Ernest John Moeran, Gerald Peregrine, Antony InghamPrelude for Cello & PianoErnest John Moeran, Gerald Peregrine, Antony InghamE Major012B93 BPM
Eclogue for Piano and Strings, Op. 10: Theme (Arr. for Saxophone & Piano) by Gerald Finzi, Naomi Sullivan, Robin BigwoodEclogue for Piano and Strings, Op. 10: Theme (Arr. for Saxophone & Piano)Gerald Finzi, Naomi Sullivan, Robin BigwoodF Major17B145 BPM
Música callada, Book 1: No. 3, Placide by Federico Mompou, Lilit GrigoryanMúsica callada, Book 1: No. 3, PlacideFederico Mompou, Lilit GrigoryanB♭ Major16B70 BPM
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major by Johannes Brahms, Tal & Groethuysen16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat MajorJohannes Brahms, Tal & GroethuysenA Major011B126 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.745384693145752

End: 0.7491788864135742