"Prelude for Cello & Piano" by Ernest John Moeran, Gerald Peregrine, Antony Ingham was released on May 10, 2019. With this song being about 5 minutes long, at 4:49, "Prelude for Cello & Piano" by Ernest John Moeran, Gerald Peregrine, Antony Ingham is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 16 in Folk Tales by Gerald Peregrine, Antony Ingham. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Prelude for Cello & Piano is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude for Cello & Piano by Ernest John Moeran, Gerald Peregrine, Antony Ingham is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Homage 1770 | María Dueñas | A Minor | 1 | 8A | 90 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
String Quartet No. 1 in A Minor, R. 11: I. Allegro | Ernest John Moeran, Melbourne String Quartet | D Major | 2 | 10B | 177 BPM | ||
Piano Trio in D Major: I. Allegro | Ernest John Moeran, Fidelio Trio | D Major | 2 | 10B | 85 BPM | ||
Ravel: Menuet antique, M. 7 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 71 BPM | ||
White Lily (from 3 Hungarian Folksongs from Csík, Sz. 35a/3) - Grand Piano | Béla Bartók, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM |
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