"Film music for Henry V: 2 Pieces for Strings: II. Passacaglia: Death of Falstaff" by William Walton, Bournemouth Sinfonietta, Richard Studt was released on June 3, 1994. The duration of Film music for Henry V: 2 Pieces for Strings: II. Passacaglia: Death of Falstaff is about 3 minutes long, at 3:16. Based on our data, "Film music for Henry V: 2 Pieces for Strings: II. Passacaglia: Death of Falstaff" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 20th Century String Music, so we believe that "Film music for Henry V: 2 Pieces for Strings: II. Passacaglia: Death of Falstaff" is a single. Film music for Henry V: 2 Pieces for Strings: II. Passacaglia: Death of Falstaff is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Film music for Henry V: 2 Pieces for Strings: II. Passacaglia: Death of Falstaff by William Walton, Bournemouth Sinfonietta, Richard Studt is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 141 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
3 Spirituals for Orchestra: No. 2. Kum Bab Yah | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | D Minor | 0 | 7A | 140 BPM | ||
Fragment in E-Flat Major, K. 307b (reconstructed by John Humphries): Allegro | Wolfgang Amadeus Mozart, Michael Thompson, Bournemouth Sinfonietta | F Major | 0 | 7B | 142 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Norma, Act I: Casta Diva (Arr. for Cello & Orchestra by Jan Vogler) - Radio Edit | Vincenzo Bellini, Jan Vogler, BBC Philharmonic, Omer Meir Wellber | D Major | 5 | 10B | 140 BPM | ||
Façade: No. 5, Through Gilded Trellises | William Walton, Roderick Williams, Tamsin Dalley, Orchestra of the Swan, Bruce O'Neil | A♭ Major | 0 | 4B | 109 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM |
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