"Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio" by Ludwig van Beethoven, Royal Concertgebouw Orchestra, Erich Kleiber was released on 1953. Since Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 4 in Beethoven: Symphony No. 5 in C Minor by Ludwig van Beethoven, Royal Concertgebouw Orchestra, Erich Kleiber. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio by Ludwig van Beethoven, Royal Concertgebouw Orchestra, Erich Kleiber is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák | B Minor | 3 | 10A | 127 BPM | ||
Egmont Overture, Op.84: Overture | Kurt Sanderling | F Minor | 1 | 4A | 79 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Strauss, Johann II : An der schönen, blauen Donau Op.314 [Blue Danube Waltz] | Johann Strauss II, Armin Jordan, Basler Sinfonie Orchester | D♭ Major | 6 | 3B | 105 BPM | ||
Hungarian Dance No. 5 in G Minor | Johannes Brahms, Royal Philharmonic Orchestra, Walter Weller | F Major | 1 | 7B | 92 BPM | ||
Symphony No. 40 In G Minor, K.550: 1. Molto allegro | Wolfgang Amadeus Mozart, Royal Concertgebouw Orchestra, Josef Krips | G Minor | 2 | 6A | 85 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | B♭ Major | 1 | 6B | 121 BPM |
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