Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse made "Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna" available on 1995. The duration of Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 28 in Carmina Burana by Carl Orff. Based on our statistics, Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna's popularity is average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna by Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
Wagner: Die Walküre, Act III: Ride of the Walkyries | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | B Major | 4 | 1B | 105 BPM | ||
Pagliacci / Act 1: "Vesti la giubba" | Ruggero Leoncavallo, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | E Major | 3 | 12B | 116 BPM | ||
Hymn To Red October (Main Title) | Basil Poledouris | G Minor | 1 | 6A | 81 BPM | ||
Overture (Suite) No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Capella Istropolitana, Jaroslav Dvořák | D Major | 2 | 10B | 147 BPM | ||
Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | F♯ Major | 0 | 2B | 88 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Bellini: Norma: "Casta diva" (Norma, Coro) [Live, Paris, 1958] | Vincenzo Bellini, Maria Callas, Chœur du Théâtre national de l'Opéra de Paris, Georges Sebastian, Orchestre du Théâtre National de l'Opéra de Paris | F Major | 3 | 7B | 165 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | C Minor | 2 | 5A | 68 BPM | ||
Carmina Burana: Fortune plango vulnera | Carl Orff, Anne Margrethe Dahl, Blazej Grek, Jan Wolanski, Artur Rubinstein Philharmonic Choir, Arthur Rubinstein Philharmonic Orchestra, Ilya Stupel | A Minor | 4 | 8A | 124 BPM |
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