Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester's 'Aufstieg und Fall der Stadt Mahagonny: No. 9, Piano solo - Das ist die ewige Kunst - Tief in Alaskas schneeweißen Wäldern' had a release date set for 1958. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 38 in the song's album "Rise and Fall of the City of Mahagonny". In this album, this song's track order is #14. In terms of popularity, Aufstieg und Fall der Stadt Mahagonny: No. 9, Piano solo - Das ist die ewige Kunst - Tief in Alaskas schneeweißen Wäldern is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Aufstieg und Fall der Stadt Mahagonny: No. 9, Piano solo - Das ist die ewige Kunst - Tief in Alaskas schneeweißen Wäldern by Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: V. Finale alla marcia | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | F Major | 6 | 7B | 152 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Winterreise, D. 911: No. 24 Der Leiermann | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | G Minor | 0 | 6A | 74 BPM | ||
Die Dreigroschenoper: Akt I, Hochzeitslied für ärmere Leute ("Bill Lawgen und Mary Syer") | Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg | G Major | 1 | 9B | 71 BPM | ||
Wesendonck Lieder, WWV 91: Im Treibhaus | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | G Minor | 0 | 6A | 88 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
La Muerte del Angel | Astor Piazzolla, Richard Tognetti, Australian Chamber Orchestra, James Crabb, Benjamin Martin | A Minor | 2 | 8A | 147 BPM | ||
Rinaldo / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 92 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM |