"Wesendonck Lieder, WWV 91: Im Treibhaus" by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis was released on July 1, 1976. Since Wesendonck Lieder, WWV 91: Im Treibhaus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Wesendonk Lieder; Tristan & Isolde: Prelude & Liebestod by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis. The song's track number on the album is #5 out of 7 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Wesendonck Lieder, WWV 91: Im Treibhaus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wesendonck Lieder, WWV 91: Im Treibhaus by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wesendonck Lieder, WWV 91: Im Treibhaus being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Requiem, Op.5 (Grande Messe des Morts): 1. Requiem - Kyrie | Hector Berlioz, Wandsworth School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | G Minor | 1 | 6A | 107 BPM | ||
Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 1 | 4B | 67 BPM | ||
Clair de lune | Camille Saint-Saëns, Anne Sofie von Otter, Bengt Forsberg | D Major | 1 | 10B | 77 BPM | ||
Auch kleine Dinge können uns entzücken | Hugo Wolf, Mojca Erdmann | A Major | 0 | 11B | 68 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Clairieres dans le ciel: Elle etait descendue | Lili Boulanger, Emile Naoumoff, Isabelle Sabrie | A Major | 0 | 11B | 66 BPM | ||
4 Lieder, Op. 27: 1. Ruhe, meine Seele! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | D Minor | 0 | 7A | 90 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Tristan! - Isolde! Treuloser Holder!" | Richard Wagner, Margaret Price, Brigitte Fassbaender, René Kollo, Dietrich Fischer-Dieskau, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 4 | 8B | 78 BPM |
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