Requiem, Op.5 (Grande Messe des Morts): 1. Requiem - Kyrie - Hector Berlioz, Wandsworth School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis Information

Acousticness: 97%
Danceability: 16%
Energy: 7%
Instrumentalness: 60%
Liveness: 7%
Loudness: 63%
Speechiness: 4%
Valence: 3%
Popularity: 9%
Loudness: -22.17 dB

Summary

"Requiem, Op.5 (Grande Messe des Morts): 1. Requiem - Kyrie" by Hector Berlioz, Wandsworth School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis was released on December 3, 1985. Requiem, Op.5 (Grande Messe des Morts): 1. Requiem - Kyrie appears to be safe for all ages as it is not explicit. The song is number 1 out of 13 in Berlioz: Requiem; Symphonie funèbre et triomphale by Hector Berlioz, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra. In terms of popularity, Requiem, Op.5 (Grande Messe des Morts): 1. Requiem - Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem, Op.5 (Grande Messe des Morts): 1. Requiem - Kyrie BPM

The tempo marking of Requiem, Op.5 (Grande Messe des Morts): 1. Requiem - Kyrie by Hector Berlioz, Wandsworth School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Requiem, Op.5 (Grande Messe des Morts): 1. Requiem - Kyrie Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March)	Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle	A Major	1	11B	92 BPM
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"	Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti	B Minor	1	10A	93 BPM
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto	Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	B♭ Major	1	6B	88 BPM
Messe solennelle, H 20: Resurrexit - Original Version	Hector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner	C Minor	2	5A	119 BPM
Elgar: Sea Pictures, Op. 37: V. The Swimmer, "With short, sharp violent lights" (Allegro molto)	Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli	G Major	2	9B	102 BPM
Lohengrin, Act III: Prelude	Richard Wagner, Slovak Philharmonic, Michael Halasz	G Major	2	9B	94 BPM
Gayane Suite No. 3: V. Solo - Love Duet	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	D Major	3	10B	175 BPM
La Damnation de Faust, Op. 24, H. 111: Pt. II, Scène VI - Chanson de Méphistophélès. "Une puce gentille"	Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle, Christopher Purves, London Symphony Chorus	F Major	2	7B	164 BPM
Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	B Major	0	1B	66 BPM
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace	Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra	A Major	1	11B	122 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.848909854888916

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