Giovanni Paisiello, Francesca De Giorgi, Orchestra Ico della Magna Grecia, Giovanni Di Stefano made "I zingari in fiera, Act I: Act I: Recitative: Guarda, cose che accadono! (Cecca)" available on November 1, 2014. With I zingari in fiera, Act I: Act I: Recitative: Guarda, cose che accadono! (Cecca) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Paisiello: I zingari in fiera (The Fair Gypsies)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. In terms of popularity, I zingari in fiera, Act I: Act I: Recitative: Guarda, cose che accadono! (Cecca) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With I zingari in fiera, Act I: Act I: Recitative: Guarda, cose che accadono! (Cecca) by Giovanni Paisiello, Francesca De Giorgi, Orchestra Ico della Magna Grecia, Giovanni Di Stefano having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Major, No. 1: II. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | D♭ Major | 2 | 3B | 109 BPM | ||
Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 3 | 4B | 119 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Symphony in G Major: III. Presto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 118 BPM | ||
Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | C Minor | 1 | 5A | 72 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act II: Trio: Ah! … Ma dov'eri tu (Svegliato, Bartolo, Giovinetto) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | A Major | 2 | 11B | 144 BPM | ||
Serenade For Strings In E Major, Op.22, B.52: 2. Tempo di valse | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | A Major | 1 | 11B | 177 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
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