On December 13, 1995, the song "Symphony in G Major: III. Presto" was released by Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong. With Symphony in G Major: III. Presto being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Stamitz, J.: Symphonies, Vol. 1". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Symphony in G Major: III. Presto is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Symphony in G Major: III. Presto by Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Quartet in F Major, Op. 14, No. 4: I. Allegro assai | Carl Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | C Major | 2 | 8B | 76 BPM | ||
Athalia, HWV 52: Part 1 - No. 1 Sinfonia: Allegro - Grave - Allegro | George Frideric Handel, Markus Brutscher, Friederike Holzhausen, Stephan MacLeod, Annette Reinhold, Barbara Schlick, Elisabeth Scholl, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | D♭ Major | 0 | 3B | 77 BPM | ||
Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: I. Allemande: Andante | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | F Major | 2 | 7B | 140 BPM | ||
Cello Concerto in A Minor, Wq. 170: III. Allegro assai | Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit | A Minor | 2 | 8A | 169 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Handel: Oboe Concerto in B-Flat Major, HWV 301: III. Siciliana | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 83 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Sonata No. 4 in E Minor: II. Fuga Allegro | Johann Friedrich Meister, Musica Antiqua Köln | E♭ Minor | 4 | 2A | 103 BPM | ||
Concerto For 3 Harpsichords In C Major, BWV 1064: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 91 BPM | ||
Concerto for 2 Flutes and String Orchestra in G Major: III. Rondo | Johann Stamitz, Camerata Rhenania, Eugen Duvier, Peter Bromig, Václav Kunt | G Minor | 2 | 6A | 171 BPM |
Section: 0.5986106395721436
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