George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown made "Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: I. Allemande: Andante" available on January 1, 2000. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel's "Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12" album is number 10 out of 32. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: I. Allemande: Andante's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: I. Allemande: Andante by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo: Aria: Sorte amor vuol che quest’alma | George Frideric Handel, Giacomo Rossi, Aaron Hill, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Major | 4 | 3B | 121 BPM | ||
Concerto for Oboe d'amore, Strings and B.c. "Verdi prati": Allegro ("Tornami a vagheggiar" from Opera 'Alcina', HWV 34) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | A Major | 2 | 11B | 103 BPM | ||
Concerto for Descant Recorder, Strings, and Continuo in F: 2. Siciliano | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | C Major | 1 | 8B | 141 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato e marcato - Quasi presto - Andante maestoso | Edvard Grieg, Garrick Ohlsson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 1 | 8A | 136 BPM | ||
Mozart, L: Toy Symphony: I. Allegro (Also Attributed to Haydn or Angerer) | Leopold Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Sinfonia for 2 Oboes in G Major (Arr. A. Camden): III. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D♭ Minor | 2 | 12A | 106 BPM | ||
Symphony No. 44 in D, K.81: 3. Allegro molto | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 127 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Guitar Concerto No. 3 in F Major, Op. 70: 2. Andantino alla Siciliana con variazioni | Mauro Giuliani, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 86 BPM |
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