"Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto)" by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic was released on 2011. Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto) is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 3 out of 10 in Dvořák: Stabat Mater by Antonín Dvořák, Philippe Herreweghe, Antwerp Symphony Orchestra, Collegium Vocale Gent. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto) by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haugtussa - Song Cycle, Op. 67: Ved gjaetle - bekken | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | E Major | 1 | 12B | 78 BPM | ||
Warum betrübst du dich, mein Herz, BWV 138: III. Choral - Recitativo: "Er kann und will dich lassen dich" - "Ach, wie?" - "Ich bin verlassen" | Johann Sebastian Bach, Collegium Vocale Gent, Deborah York, Ingeborg Danz, Philippe Herreweghe | B♭ Minor | 1 | 3A | 138 BPM | ||
Vivaldi: Stabat Mater, RV 621: III. O quam tristis et afflicta | Antonio Vivaldi, Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus | E Minor | 6 | 9A | 104 BPM | ||
Geistliche Chormusik: Die mit Tränen säen, SWV 378 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 68 BPM | ||
6 Lieder, Op. 1: No. 1. Schwanenlied | Fanny Mendelssohn, Dorothea Craxton, Babette Dorn | G Minor | 0 | 6A | 131 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 33. Evangelista, Testis I & II, Pontifex "Und wiewohl viel falsche Zeugen herzutraten" | Johann Sebastian Bach, Collegium Vocale Gent, Andreas Scholl, Ian Bostridge, Frits Vanhulle, Philippe Herreweghe, Werner Güra | F♯ Minor | 1 | 11A | 92 BPM | ||
Gloria: Qui sedes ad dexteram Patris | Antonio Vivaldi, Margaret Cameron, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 109 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Dichterliebe, Op.48: 7. Ich grolle nicht | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | C Major | 2 | 8B | 106 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 67. Recitativo (Sopran, Alt, Tenor, Baß, Chorus I & II) "Nun ist der Herr zur Ruh gebracht" | Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Andreas Scholl, Werner Güra, Philippe Herreweghe | E Minor | 0 | 9A | 70 BPM |
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