Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto)
Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic
Dvořák: Stabat Mater
6:29 2011
BPM
72
Key
C Minor
Camelot
5A

Embed

Share Link

Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto) - Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic Information

Acousticness
98%
Danceability
8%
Energy
6%
Instrumentalness
68%
Liveness
9%
Loudness
64%
Speechiness
5%
Valence
4%
Popularity
Loudness
-21.614 dB

Summary

"Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto)" by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic was released on 2011. Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto) is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 3 out of 10 in Dvořák: Stabat Mater by Antonín Dvořák, Philippe Herreweghe, Antwerp Symphony Orchestra, Collegium Vocale Gent. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto) BPM

The tempo marking of Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto) by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto) Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Haugtussa - Song Cycle, Op. 67: Ved gjaetle - bekken by Edvard Grieg, Anne Sofie von Otter, Bengt ForsbergHaugtussa - Song Cycle, Op. 67: Ved gjaetle - bekkenEdvard Grieg, Anne Sofie von Otter, Bengt ForsbergE Major112B78 BPM
Warum betrübst du dich, mein Herz, BWV 138: III. Choral - Recitativo: Warum betrübst du dich, mein Herz, BWV 138: III. Choral - Recitativo: "Er kann und will dich lassen dich" - "Ach, wie?" - "Ich bin verlassen"Johann Sebastian Bach, Collegium Vocale Gent, Deborah York, Ingeborg Danz, Philippe HerrewegheB♭ Minor13A138 BPM
Vivaldi: Stabat Mater, RV 621: III. O quam tristis et afflicta by Antonio Vivaldi, Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz AdamusVivaldi: Stabat Mater, RV 621: III. O quam tristis et afflictaAntonio Vivaldi, Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz AdamusE Minor69A104 BPM
Geistliche Chormusik: Die mit Tränen säen, SWV 378 by Heinrich Schütz, Collegium Vocale Gent, Philippe HerrewegheGeistliche Chormusik: Die mit Tränen säen, SWV 378Heinrich Schütz, Collegium Vocale Gent, Philippe HerrewegheB Minor110A68 BPM
6 Lieder, Op. 1: No. 1. Schwanenlied by Fanny Mendelssohn, Dorothea Craxton, Babette Dorn6 Lieder, Op. 1: No. 1. SchwanenliedFanny Mendelssohn, Dorothea Craxton, Babette DornG Minor06A131 BPM
Matthäus-Passion, BWV 244, Zweiter Teil: 33. Evangelista, Testis I & II, Pontifex Matthäus-Passion, BWV 244, Zweiter Teil: 33. Evangelista, Testis I & II, Pontifex "Und wiewohl viel falsche Zeugen herzutraten"Johann Sebastian Bach, Collegium Vocale Gent, Andreas Scholl, Ian Bostridge, Frits Vanhulle, Philippe Herreweghe, Werner GüraF♯ Minor111A92 BPM
Gloria: Qui sedes ad dexteram Patris by Antonio Vivaldi, Margaret Cameron, English Baroque Soloists, John Eliot GardinerGloria: Qui sedes ad dexteram PatrisAntonio Vivaldi, Margaret Cameron, English Baroque Soloists, John Eliot GardinerB♭ Minor13A109 BPM
Petite messe solennelle: Kyrie by Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio DantonePetite messe solennelle: KyrieGioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio DantoneC Major08B120 BPM
Dichterliebe, Op.48: 7. Ich grolle nicht by Robert Schumann, Dietrich Fischer-Dieskau, Christoph EschenbachDichterliebe, Op.48: 7. Ich grolle nichtRobert Schumann, Dietrich Fischer-Dieskau, Christoph EschenbachC Major28B106 BPM
Matthäus-Passion, BWV 244, Zweiter Teil: 67. Recitativo (Sopran, Alt, Tenor, Baß, Chorus I & II) Matthäus-Passion, BWV 244, Zweiter Teil: 67. Recitativo (Sopran, Alt, Tenor, Baß, Chorus I & II) "Nun ist der Herr zur Ruh gebracht"Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Andreas Scholl, Werner Güra, Philippe HerrewegheE Minor09A70 BPM
ISRC
BER181200903
Label
L-M Records/RCA Records

Section: 0.5989387035369873

End: 0.6031582355499268