Antonio Vivaldi, Margaret Cameron, English Baroque Soloists, John Eliot Gardiner made "Gloria: Qui sedes ad dexteram Patris" available on August 31, 2001. The duration of Gloria: Qui sedes ad dexteram Patris is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Gloria: Qui sedes ad dexteram Patris's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Gloria / Handel: Dixit Dominus by The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. The song's track number on the album is #9 out of 27 tracks. In terms of popularity, Gloria: Qui sedes ad dexteram Patris is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Gloria: Qui sedes ad dexteram Patris by Antonio Vivaldi, Margaret Cameron, English Baroque Soloists, John Eliot Gardiner has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Gloria: Qui sedes ad dexteram Patris being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Dixit Dominus, RV 595: I. Chorus "Dixit Dominus" | Antonio Vivaldi, Jordi Savall, Le Concert Des Nations, La Capella Reial De Catalunya | F♯ Minor | 3 | 11A | 91 BPM | ||
Concerto For 2 Mandolins In G Major, RV 532: III. Allegro | Budapest Strings, Bela Sztankovitz, Zoltan Tokos, Antonio Vivaldi | D Major | 2 | 10B | 149 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Mass in C Major, K. 317 "Coronation": VI. Agnus Dei | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 76 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Miserere, ZWV 57: I. Miserere I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Minor | 3 | 10A | 75 BPM | ||
L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno | Claudio Monteverdi, Jordi Savall, Gerd Türk, La Capella Reial De Catalunya, Marília Vargas, Le Concert Des Nations | A Minor | 1 | 8A | 108 BPM | ||
Miserere in C minor: Misere III | Thomas Hengelbrock | B Minor | 2 | 10A | 65 BPM |
Section: 0.7724597454071045
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