- BPM
- 131
- Key
- G Minor
- Camelot
- 6A
6 Lieder, Op. 1: No. 1. Schwanenlied - Fanny Mendelssohn, Dorothea Craxton, Babette Dorn Information
- Acousticness
- 99%
- Danceability
- 30%
- Energy
- 4%
- Instrumentalness
- 5%
- Liveness
- 7%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 8%
- Loudness
- -24.805 dB
Summary
"6 Lieder, Op. 1: No. 1. Schwanenlied" by Fanny Mendelssohn, Dorothea Craxton, Babette Dorn was released on December 15, 2009. The duration of 6 Lieder, Op. 1: No. 1. Schwanenlied is about 3 minutes long, at 3:07. Based on our data, "6 Lieder, Op. 1: No. 1. Schwanenlied" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Fanny Mendelssohn, Dorothea Craxton's "Mendelssohn-Hensel, F.: Songs, Vol. 1" album is number 1 out of 26. Based on our statistics, 6 Lieder, Op. 1: No. 1. Schwanenlied's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
6 Lieder, Op. 1: No. 1. Schwanenlied BPM
We consider the tempo marking of 6 Lieder, Op. 1: No. 1. Schwanenlied by Fanny Mendelssohn, Dorothea Craxton, Babette Dorn to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
6 Lieder, Op. 1: No. 1. Schwanenlied Key
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rückert Lieder: IV. Um Mitternacht | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | A Minor | 1 | 8A | 72 BPM | |
 | Evening Songs, Op. 3: No. 3, Já jsem ten rytíř | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | |
 | Bolcom: Cabaret Songs, Volume I: No. 4, Waitin | William Bolcom, Kate Royal | F Major | 0 | 7B | 86 BPM | |
 | Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | |
 | It Was a Lover and His Lass: It was a Lover and his Lass | Ralph Vaughan Williams, Anthony Rolfe Johnson, Simon Keenlyside, Graham Johnson, Duke Quartet | B Minor | 0 | 10A | 127 BPM | |
 | V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | |
 | Illalle | Elja Puukko, Risto Lauriala | F Major | 2 | 7B | 0 BPM | |
 | Character Pieces, MA Ms. 44 (selections): Allegro molto vivace ma con sentimento, in E-Flat Major | Fanny Mendelssohn, Beatrice Rauchs | E♭ Major | 2 | 5B | 115 BPM | |
 | Lieder (Duette), Op. 63: I. Ich wollt, meine Liebe ergösse sich | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | C Minor | 0 | 5A | 69 BPM | |
 | Wesendonck Lieder, WWV 91: Im Treibhaus | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | G Minor | 0 | 6A | 88 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6578624248504639
End: 0.6610527038574219