"Say, Watchman, What of the Night?" by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach was released on March 6, 2020. With this song being about 5 minutes long, at 4:57, "Say, Watchman, What of the Night?" by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "The Long Day Closes: Sullivan Part Songs". In this album, this song's track order is #5. Based on our statistics, Say, Watchman, What of the Night?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Say, Watchman, What of the Night? by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21. Braid the raven hair, Weave the supple tresses | Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | B♭ Major | 1 | 6B | 141 BPM | ||
The Pirates of Penzance: Oh! Is There Not One Maiden Breast | Marilyn Hill Smith, Philip Creasy | D♭ Major | 0 | 3B | 77 BPM | ||
The Mikado: A Wandering Minstrel I | Bonaventura Bottone, Gareth Jones, Malcolm Rivers | E♭ Major | 2 | 5B | 109 BPM | ||
HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Entr'acte | Arthur Sullivan, Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 63 BPM | ||
The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 3: Nur deiner harr ich, niemals Verlorne! (Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | F♯ Major | 1 | 2B | 89 BPM | ||
The Mikado: The Flowers That Bloom In the Spring | Bonaventura Bottone, Eric Idle, Lesley Garrett, Richard van Allan | E♭ Major | 2 | 5B | 109 BPM | ||
Rabbit Full Ahead | Fanny Hearst | B Major | 3 | 1B | 150 BPM | ||
H.M.S. Pinafore, Act I: My Gallant Crew | Gilbert & Sullivan Society of Houston | A Major | 4 | 11B | 101 BPM | ||
Tosca: Recondita armonia | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | E Minor | 3 | 9A | 112 BPM |
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