- BPM
- 141
- Key
- B♭ Major
- Camelot
- 6B
21. Braid the raven hair, Weave the supple tresses - Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash Information
- Acousticness
- 94%
- Danceability
- 32%
- Energy
- 11%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 20%
- Popularity
- 12%
- Loudness
- -20.006 dB
Summary
Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash's '21. Braid the raven hair, Weave the supple tresses' came out on January 1, 1973. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash's "Gilbert & Sullivan: The Mikado" album is number 1 out of 37. Based on our statistics, 21. Braid the raven hair, Weave the supple tresses's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
21. Braid the raven hair, Weave the supple tresses BPM
We consider the tempo marking of 21. Braid the raven hair, Weave the supple tresses by Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
21. Braid the raven hair, Weave the supple tresses Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The sun whose rays are all ablaze | Arthur Sullivan, Valerie Masterson, Royal Philharmonic Orchestra, Royston Nash | G Major | 1 | 9B | 84 BPM | |
 | Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? | Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose | B♭ Minor | 1 | 3A | 153 BPM | |
 | Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM | |
 | Carmen, Act I: No.6 Scène : Carmen! sur tes pas nous nous pressons tous! (Jeunes gens/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | A Minor | 0 | 8A | 125 BPM | |
 | Tosca: Act I: Non la sospiri la nostra casetta (Tosca, Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | |
 | 39. Poor wand'ring ones, though ye have surely straye | Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | A♭ Major | 1 | 4B | 113 BPM | |
 | Manon Lescaut / Act 2: In quelle trine morbide | Giacomo Puccini, Mirella Freni, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 163 BPM | |
 | "Tower warders under orders" | Arthur Sullivan, Thomas Lawlor, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent | C Major | 2 | 8B | 80 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Couplets: Deux heures devant moi (Lindorf) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 2 | 8B | 83 BPM | |
 | Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8024539947509766
End: 0.8059065341949463