"Manon Lescaut / Act 2: In quelle trine morbide" by Giacomo Puccini, Mirella Freni, Metropolitan Opera Orchestra, James Levine was released on January 1, 1993. The duration of Manon Lescaut / Act 2: In quelle trine morbide is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Manon Lescaut / Act 2: In quelle trine morbide's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #14. The popularity of Manon Lescaut / Act 2: In quelle trine morbide is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 2: In quelle trine morbide by Giacomo Puccini, Mirella Freni, Metropolitan Opera Orchestra, James Levine having a BPM of 163 with a half-time of 82 BPM and a double-time of 326 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Edgar - Opera in 3 Acts / Act 3: Del Signor la pupilla | Giacomo Puccini, Adriana Damato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Veronesi, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Pablo Assante | A Minor | 5 | 8A | 173 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: Finale. "V vashem dome! V vashem dome!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Don Pasquale, Act I Quinta Scena: Vado, corro (Norina/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 141 BPM | ||
Salve Regina | Giacomo Puccini, Chiara Taigi, Roberto de Thierry, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F Major | 0 | 7B | 81 BPM | ||
Turandot (2008 Digital Remaster), Act I: Signore, ascolta! | Giacomo Puccini, Maria Callas, Eugenio Fernandi, Elisabeth Schwarzkopf, Giuseppe Nessi, Nicola Zaccaria, Tul, Elisabetta Fusco, Giulio Mauri, Coro Del Teatro Alla Scala Di Milano, Pinuccia Perotti, Piero de Palma, Renato Ercolani, Orchestra Del Teatro Alla Scala, Milano, Mario Borriello, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F♯ Major | 3 | 2B | 78 BPM | ||
Tosca / Act II: "Sciarrone: che dice il cavalier?" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Ruggero Raimondi, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 75 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 1 | 8B | 116 BPM | ||
Don Pasquale - original version / Act 3: "Quel guardo il cavaliere" | Gaetano Donizetti, Kathleen Battle, Metropolitan Opera Orchestra, James Levine, Max Epstein | A♭ Major | 3 | 4B | 149 BPM |
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