Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey made "39. Poor wand'ring ones, though ye have surely straye" available on January 1, 1968. With 39. Poor wand'ring ones, though ye have surely straye being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 25 out of 40. In terms of popularity, 39. Poor wand'ring ones, though ye have surely straye is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 39. Poor wand'ring ones, though ye have surely straye by Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | B♭ Major | 1 | 6B | 76 BPM | ||
Susannah / Act 2: "The trees on the mountain" | Carlisle Floyd, Renée Fleming, Metropolitan Opera Orchestra, James Levine | G Minor | 1 | 6A | 169 BPM | ||
Après un rêve | Gabriel Fauré, Renée Fleming, Jean-Yves Thibaudet | G Minor | 2 | 6A | 94 BPM | ||
O del mio amato ben - Voice | Stefano Donaudy, Carlo Bergonzi | A Major | 1 | 11B | 60 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Manon Lescaut / Act 2: In quelle trine morbide | Giacomo Puccini, Kiri Te Kanawa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Minor | 1 | 3A | 91 BPM | ||
Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Huguette Tourangeau, Ryland Davies, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 73 BPM | ||
Mozart: Un moto di gioia, K. 579 | Wolfgang Amadeus Mozart, Kathleen Battle, Royal Philharmonic Orchestra, André Previn | G Major | 0 | 9B | 90 BPM | ||
The Merry Widow / Act 1: Finale I: Ladies' choice! | Franz Lehár, Dame Joan Sutherland, Werner Krenn, Valerie Masterson, John Brecknock, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge | G Major | 1 | 9B | 79 BPM | ||
Julius Caesar, HWV 17, Act III Scene 3: Dearest! Fairest! (Cleopatra, Caesar) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson, Dame Janet Baker | G Major | 1 | 9B | 84 BPM |
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