"Requiem, Op. 48: Pie Jesu" by Gabriel Fauré, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs was released on January 1, 2005. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Sacred Songs". In this album, this song's track order is #9. Requiem, Op. 48: Pie Jesu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem, Op. 48: Pie Jesu by Gabriel Fauré, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs of Travel: Let Beauty awake | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | D♭ Minor | 1 | 12A | 71 BPM | ||
Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
Les Pêcheurs de Perles, Act I: "Au fond du temple saint" | Georges Bizet, David Hobson, Teddy Tahu Rhodes, Thomas Woods, Sinfonia Australis | E♭ Major | 2 | 5B | 102 BPM | ||
Rusalka, Op. 114, B. 203 / Act I: Mesicku na nebi hlubokém - Live | Antonín Dvořák, Renée Fleming, The Metropolitan Opera, Jiří Bělohlávek | F♯ Major | 1 | 2B | 171 BPM | ||
Semele / Act 1: Endless pleasure... | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 81 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: You shall hear how Pau-Puk-Keewis | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | G Major | 2 | 9B | 89 BPM | ||
La Rondine / Act 1: "Chi il bel sogno di Doretta" | Giacomo Puccini, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 2 | 7B | 166 BPM | ||
Sure on This Shining Night: Sure on This Shining Night | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 109 BPM | ||
Requiem: 5. Pie Jesu | The Ayoub Sisters, Royal Philharmonic Orchestra, Mark Messenger | A Major | 1 | 11B | 87 BPM | ||
Messe solennelle de Sainte Cécile: Agnus Dei | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Radio France | B♭ Major | 2 | 6B | 96 BPM |
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