- BPM
- 91
- Key
- B♭ Minor
- Camelot
- 3A
Manon Lescaut / Act 2: In quelle trine morbide - Giacomo Puccini, Kiri Te Kanawa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly Information
- Acousticness
- 98%
- Danceability
- 20%
- Energy
- 8%
- Instrumentalness
- 2%
- Liveness
- 11%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 6%
- Loudness
- -20.694 dB
Summary
"Manon Lescaut / Act 2: In quelle trine morbide" by Giacomo Puccini, Kiri Te Kanawa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly was released on January 1, 1988. The duration of Manon Lescaut / Act 2: In quelle trine morbide is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Manon Lescaut / Act 2: In quelle trine morbide's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #14. In terms of popularity, Manon Lescaut / Act 2: In quelle trine morbide is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Manon Lescaut / Act 2: In quelle trine morbide BPM
With Manon Lescaut / Act 2: In quelle trine morbide by Giacomo Puccini, Kiri Te Kanawa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Manon Lescaut / Act 2: In quelle trine morbide Key
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Bohème / Act 3: "Mimì è una civetta" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 69 BPM | |
 | Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Accende lumen sensibus" | Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Netherlands Radio Choir, Prague Philharmonic Chorus, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Sacramentskoor Breda, Royal Concertgebouw Orchestra, Riccardo Chailly | B Major | 1 | 1B | 69 BPM | |
 | In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | |
 | Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | |
 | Andrea Chénier: Un dì all'azzurro spazio | Umberto Giordano, José Carreras, Giuseppe Patanè, Hungarian State Orchestra | B♭ Major | 2 | 6B | 84 BPM | |
 | Le nozze di Figaro, K. 492 / Act 2: "Porgi amor...Vieni, cara Susanna" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lucia Popp, Samuel Ramey, Frederica von Stade, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 1 | 6B | 83 BPM | |
 | Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | |
 | William Tell - Italian version / Act 1: "Il mio giuro egli disse" | Gioachino Rossini, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | D Major | 4 | 10B | 108 BPM | |
 | Turandot: Act III Scene 1: Tu, che di gel sei cinta | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | |
 | Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6611161231994629
End: 0.666121244430542