"Tosca: Recondita armonia" by Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz was released on June 28, 1993. The duration of Tosca: Recondita armonia is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Tosca: Recondita armonia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Puccini: The Best of Puccini". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Tosca: Recondita armonia is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tosca: Recondita armonia by Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 1: Prendre le dessin d'un bijou... Fantaisie aux divins | Léo Delibes, Alain Vanzo, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | A♭ Major | 1 | 4B | 89 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
«Ninon» | Leo Nucci | E Major | 1 | 12B | 168 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 91 BPM | ||
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Puccini : Tosca : Act 1 "Dammi i colori...Recondita armonia" | Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica | F Major | 3 | 7B | 84 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A Major | 1 | 11B | 69 BPM |
Section: 0.7571704387664795
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