Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania's 'Il Pirata, Act I: Bagnato dalle lagrime' came out on November 19, 2021. The duration of Il Pirata, Act I: Bagnato dalle lagrime is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Il Pirata, Act I: Bagnato dalle lagrime's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 49 in Bellini: Il Pirata by Felice Romani, Vincenzo Bellini, Marina Rebeka, Javier Camarena, Fabrizio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania. The popularity of Il Pirata, Act I: Bagnato dalle lagrime is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Pirata, Act I: Bagnato dalle lagrime by Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
I Capuleti e i Montecchi: Eccomi in lieta vesta / Act 1: O di Capellio generosi amici - Live | Vincenzo Bellini, Joseph Calleja, Tiziano Bracci, Robert Gleadow, Wiener Symphoniker, Fabio Luisi, Wiener Singakademie | D Minor | 1 | 7A | 123 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi: Sinfonia | Vincenzo Bellini, Orchestra La Scintilla, Giovanni Antonini | G Minor | 2 | 6A | 79 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Norma / Act 2: In mia man alfin tu sei | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 88 BPM | ||
Strauss, R: 8 Lieder, Op. 49: I. Waldseligkeit | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | D♭ Major | 0 | 3B | 81 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Carmen, WD 31 / Act I: Chanson et Duo: "Près des remparts de Séville" | Georges Bizet, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 76 BPM |
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