"Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi: Sinfonia" by Vincenzo Bellini, Orchestra La Scintilla, Giovanni Antonini was released on January 1, 2013. With this song being about 5 minutes long, at 5:13, "Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi: Sinfonia" by Vincenzo Bellini, Orchestra La Scintilla, Giovanni Antonini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 38 in Bellini: Norma by Vincenzo Bellini, Cecilia Bartoli, John Osborn, Sumi Jo, Michele Pertusi, Orchestra La Scintilla, Giovanni Antonini. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi: Sinfonia is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi: Sinfonia by Vincenzo Bellini, Orchestra La Scintilla, Giovanni Antonini is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il maestro di cappella (Orch. M. Brolli): Sinfonia | Domenico Cimarosa, Marco Brolli, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 132 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro | Johann Sebastian Bach, Il Giardino Armonico, Giovanni Antonini | A Major | 1 | 11B | 115 BPM | ||
La cambiale di matrimonio: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 140 BPM | ||
La traviata / Act 3: Prelude | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 135 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus) | Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 139 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Concerto grosso in F major, Op. 6, No. 2: 4. Allegro, ma non troppo | George Frideric Handel, Il Giardino Armonico, Giovanni Antonini | D♭ Minor | 6 | 12A | 96 BPM | ||
Concerto Grosso in E-Flat Major, Op. 7 No. 6 "Il Pianto d'Arianna": I. Andante - Allegro - Adagio - Andante - Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | B♭ Major | 0 | 6B | 59 BPM |
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