Leonardo Leo, Ophélie Gaillard, Pulcinella Orchestra made "Cello Concerto in D Minor, L. 60: II. Con spirito" available on October 6, 2023. The duration of Cello Concerto in D Minor, L. 60: II. Con spirito is about 3 minutes long, at 3:14. Based on our data, "Cello Concerto in D Minor, L. 60: II. Con spirito" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 41 in the song's album "Napoli!". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. Based on our statistics, Cello Concerto in D Minor, L. 60: II. Con spirito's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Cello Concerto in D Minor, L. 60: II. Con spirito by Leonardo Leo, Ophélie Gaillard, Pulcinella Orchestra having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Catone in Utica, Act I: Aria "Cervo in bosco" (Arbace) | Leonardo Leo, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset | F♯ Major | 3 | 2B | 132 BPM | ||
Symphony in E-Flat Major, W. I/10: II. Andante assai | Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | C Minor | 1 | 5A | 171 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: II. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 108 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Concerto con Violoncello obligato No. 8 in D Major: I. Allegro | Giovanni Benedetto Platti, Sebastian Hess, Akademie für Alte Musik Berlin, Georg Kallweit | F Major | 5 | 7B | 107 BPM | ||
Keyboard Concerto No. 2 in A Major, BR JCFB C 30a; Warb YC 91 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): III. Allegro (Cadenza: Mayer) | Albrecht Mayer, Johann Christoph Friedrich Bach, Berliner Barock Solisten | B♭ Major | 2 | 6B | 129 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Partie 5 en ut majeur: Aria | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Major | 2 | 1B | 100 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM |
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