- BPM
- 171
- Key
- C Minor
- Camelot
- 5A
Symphony in E-Flat Major, W. I/10: II. Andante assai - Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen Information
- Acousticness
- 91%
- Danceability
- 17%
- Energy
- 5%
- Instrumentalness
- 55%
- Liveness
- 9%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 9%
- Popularity
- 3%
- Loudness
- -23.273 dB
Summary
"Symphony in E-Flat Major, W. I/10: II. Andante assai" by Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen was released on January 4, 2011. With this song being about 5 minutes long, at 5:06, "Symphony in E-Flat Major, W. I/10: II. Andante assai" by Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 10 in Bach: Symphonies, Nos. 6, 10, 20 by Johann Christoph Friedrich Bach, Morten Schuldt-Jensen. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Symphony in E-Flat Major, W. I/10: II. Andante assai is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Symphony in E-Flat Major, W. I/10: II. Andante assai BPM
The tempo marking of Symphony in E-Flat Major, W. I/10: II. Andante assai by Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Symphony in E-Flat Major, W. I/10: II. Andante assai Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite en La: Cinquième double | Jean-Philippe Rameau, Alexandre Tharaud | C Major | 2 | 8B | 84 BPM | |
 | Keyboard Concerto in A Minor, Wq. 26: I. Allegro assai | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | A Minor | 3 | 8A | 86 BPM | |
 | Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | |
 | Cello Concerto No. 1 in G Major: III. Rondo: Allegro | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | G Major | 1 | 9B | 137 BPM | |
 | Keyboard Sonata in D Minor, Wq. 54/3, H. 184: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Ana-Marija Markovina | C Major | 1 | 8B | 108 BPM | |
 | Viola Concerto in B-Flat Major: III. Rondo: Allegro | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | B♭ Major | 1 | 6B | 79 BPM | |
 | D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus) | Jean-Henri d'Anglebert, Alexandre Tharaud | G Minor | 1 | 6A | 70 BPM | |
| Suite en La: Courante | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 1 | 8A | 120 BPM | |
 | Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | |
 | Trio for Oboe d'amore, Horn and Bassoon in E Major: I. Allegro | Carl Heinrich Graun, Johann Gottlieb Graun, Concert Royal, Cologne | E♭ Major | 0 | 5B | 96 BPM |
- ISRC
- HKI190942305
- Label
- L-M Records/RCA Records
Section: 0.6302897930145264
End: 0.6341097354888916