Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig made "Keyboard Concerto in A Minor, Wq. 26: I. Allegro assai" available on January 1, 2016. Since Keyboard Concerto in A Minor, Wq. 26: I. Allegro assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in C.P.E. Bach: Keyboard Concertos, Wq. 26, 44 & 20 by Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig. Keyboard Concerto in A Minor, Wq. 26: I. Allegro assai is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Keyboard Concerto in A Minor, Wq. 26: I. Allegro assai by Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 6 | 10A | 110 BPM | ||
La Couperin (21e ordre) | François Couperin, Alexandre Tharaud | E Minor | 1 | 9A | 118 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Württemberg Sonatas / Sonata No. 5 in E-Flat Major, H. 34: II. Adagio | Carl Philipp Emanuel Bach, Keith Jarrett | E♭ Minor | 0 | 2A | 105 BPM | ||
24 Preludes and Fugues, Op. 87: Fugue No. 3 in G Major: Allegro molto | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Italian Concerto in F Major BMV971 | Artur Schnabel | F Major | 2 | 7B | 123 BPM |
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