On March 27, 2007, the song "The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847" was released by Luc Beauséjour. With The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 48 in Bach, J.S.: The Well-Tempered Clavier , Book I by Luc Beauséjour. In terms of popularity, The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 by Luc Beauséjour is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in B Minor, K.87 | Domenico Scarlatti, Luc Beauséjour | E Minor | 5 | 9A | 174 BPM | ||
9 Studies: No. 1. Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | G Major | 1 | 9B | 129 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Trio Sonata in E Minor: I. Grave | Johann Rosenmüller, Anna Holbling, Quido Holbling, Jozef Zsapka | A Major | 2 | 11B | 98 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
12 Caprices, Op. 25: No. 1. Allegro quasi presto | Alfredo Piatti, Soo Bae | G Minor | 2 | 6A | 141 BPM | ||
Premier Concert en sol majeur: I. Prélude | François Couperin, Luc Beauséjour, Chantal Remillard, Margaret Little, Grégoire Jeay, Matthew Jennejohn, Mathieu Lussier | F♯ Major | 1 | 2B | 76 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Premier Concert en sol majeur: III. Sarabande | François Couperin, Luc Beauséjour, Chantal Remillard, Margaret Little, Grégoire Jeay, Matthew Jennejohn, Mathieu Lussier | F♯ Minor | 0 | 11A | 65 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM |
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