Georges Bizet, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon's 'Carmen, WD 31: La fleur que tu m'avais jetée' came out on August 12, 2022. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 16 in Arias by Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon, Amilcare Ponchielli, Georges Bizet, Giuseppe Verdi, Umberto Giordano. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Carmen, WD 31: La fleur que tu m'avais jetée is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, WD 31: La fleur que tu m'avais jetée by Georges Bizet, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Printemps qui commence" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | E Major | 1 | 12B | 100 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Repentir (O Divine Redeemer) | Charles Gounod, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | C Major | 1 | 8B | 176 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Hubička, JB 1:104 "The Kiss": Vendulka's Lullaby, Hajej, Můj Andílku "Hush-a-Bye, My Angel" | Opera Australia Orchestra, Nicole Car | A Minor | 1 | 8A | 68 BPM | ||
Bellini: I puritani, Act 2 Scene 3: Aria, "Qui la voce sua soave … O rendetemi la speme" (Elvira) | Vincenzo Bellini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra | E♭ Major | 0 | 5B | 136 BPM | ||
The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM |
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