"Bellini: I puritani, Act 2 Scene 3: Aria, "Qui la voce sua soave … O rendetemi la speme" (Elvira)" by Vincenzo Bellini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra was released on June 4, 2001. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 'Casta Diva', so we believe that "Bellini: I puritani, Act 2 Scene 3: Aria, "Qui la voce sua soave … O rendetemi la speme" (Elvira)" is a single. Based on our statistics, Bellini: I puritani, Act 2 Scene 3: Aria, "Qui la voce sua soave … O rendetemi la speme" (Elvira)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bellini: I puritani, Act 2 Scene 3: Aria, "Qui la voce sua soave … O rendetemi la speme" (Elvira) by Vincenzo Bellini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | E♭ Major | 0 | 5B | 135 BPM | ||
Beatrice di Tenda: Act I - "Ma la sola" | Vincenzo Bellini, Fabio Luisi, Chorus of the German Opera House Berlin, German Opera House Berlin Orchestra, Lucia Aliberti | F Major | 2 | 7B | 105 BPM | ||
Bellini: Il Pirata, Act 1: "Per te di vane lagrime" (Chorus, Solitario, Gualtiero, Itulbo) [Live] | Vincenzo Bellini, Maria Callas, Chester Watson, Glade Peterson, Pier Miranda Ferraro, Nicola Rescigno, Orchestra of the American Opera Society | B♭ Major | 4 | 6B | 70 BPM | ||
La Sonnambula / Act 1: Osservate, l'uscio è aperto | Vincenzo Bellini, Peter Kalman, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | F Minor | 1 | 4A | 85 BPM | ||
La Favorita / Act 4: Spirto gentil, de' sogni miei | Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | C Major | 2 | 8B | 66 BPM | ||
Puccini: Manon Lescaut, Act 2: "In quelle trine morbide" (Manon Lescaut) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D♭ Major | 1 | 3B | 88 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM |
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