"Turangalîla-Symphonie : II. Chant d'amour No.1" by Olivier Messiaen, Michel Béroff, André Previn, London Symphony Orchestra was released on October 1, 2004. Since Turangalîla-Symphonie : II. Chant d'amour No.1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, André Previn's "Messiaen - Turangalîla-Symphonie" album is number 2 out of 10. On top of that, France appears to be the country where this track was created. Turangalîla-Symphonie : II. Chant d'amour No.1 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Turangalîla-Symphonie : II. Chant d'amour No.1 by Olivier Messiaen, Michel Béroff, André Previn, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint Francois D'Assise / Deuxième Acte: J'ai peur, sur la route (Frère Léon, Frère Massée) | Olivier Messiaen, Urban Malmberg, John Aler, Hallé, Kent Nagano, Jeanne Loriod | A♭ Major | 1 | 4B | 76 BPM | ||
Vers la flamme, Op. 72: Allegro moderato - Remastered | Alexander Scriabin, Vladimir Horowitz | C Minor | 3 | 5A | 108 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
Préludes / Book 1, L.117: 10. La cathédrale engloutie | Claude Debussy, Pierre-Laurent Aimard | C Major | 0 | 8B | 63 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
HFDBMC | KNOXVILLETRACKZ | C Major | 0 | 8B | 87 BPM | ||
Britten: Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue | Benjamin Britten, Ian Bostridge | C Major | 0 | 8B | 69 BPM | ||
Pie Jesu | Lili Boulanger, Olivier Charlier, Magali Demesse, Aude Perin Dureau, Eric Lebrun, Emile Naoumoff, Francis Pierre, Doris Reinhardt, Isabelle Sabrie, Raphelle Semezis | C Major | 2 | 8B | 82 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM |
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