Gioachino Rossini, Adelina Scarabelli, Jennifer Larmore, Laura Polverelli, Alastair Miles, Carlo Rizzi & Orchestra of the Royal Opera House, Covent Garden, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden made "Rossini : La Cenerentola : Act 1 "Un tantin di carità" [Alidoro, Clorinda, Tisbe, Cenerentola]" available on 1993. With Rossini : La Cenerentola : Act 1 "Un tantin di carità" [Alidoro, Clorinda, Tisbe, Cenerentola] being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 50 in the song's album "Rossini : La Cenerentola". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Rossini : La Cenerentola : Act 1 "Un tantin di carità" [Alidoro, Clorinda, Tisbe, Cenerentola] is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Rossini : La Cenerentola : Act 1 "Un tantin di carità" [Alidoro, Clorinda, Tisbe, Cenerentola] by Gioachino Rossini, Adelina Scarabelli, Jennifer Larmore, Laura Polverelli, Alastair Miles, Carlo Rizzi & Orchestra of the Royal Opera House, Covent Garden, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | ||
Il Barbiere di Siviglia: Ehi, Fiorello?...Mio signore! | Gioachino Rossini, Cesare Sterbini, Giuseppe Di Stefano, George Cehanovsky, Alberto Erede | D Major | 4 | 10B | 139 BPM | ||
Hungarian Rhapsody, S. 244: No. 2 in C Minor | Franz Liszt, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 86 BPM | ||
Puccini: Turandot, Act 3: "Nessun dorma" (Calaf) | Giacomo Puccini, Plácido Domingo, Nello Santi, Orchester der Deutschen Oper Berlin | D Major | 4 | 10B | 134 BPM | ||
La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 4: No. 18, Anitra's Dance | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 0 | 9A | 80 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM |
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