"Sinfonia in E-Flat Major, "con Eco": IV. Presto ma non tanto" by Theodor, Freiherr von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss was released on April 1, 2014. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Schacht: Symphonies Vol. 1". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. In terms of popularity, Sinfonia in E-Flat Major, "con Eco": IV. Presto ma non tanto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sinfonia in E-Flat Major, "con Eco": IV. Presto ma non tanto by Theodor, Freiherr von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
私を泣かせてください〜オペラ「リナルド」より | George Frideric Handel, Chisako Takashima | F Major | 1 | 7B | 116 BPM | ||
Keyboard Sonata in E-Flat Major, Op. 1 No. 1: I. Allegro con comodo | Muzio Clementi, HyeJin Kim | F Major | 1 | 7B | 112 BPM | ||
Concerto for Trumpet and Orchestra in E Major: I. Allegro con spirito | Johann Nepomuk Hummel, Virtuosi Saxoniae, Ludwig Güttler | B Major | 2 | 1B | 137 BPM | ||
莫札特,薩爾茲堡嬉遊曲,作品 Kv 136,快板 | 台北愛樂管弦樂團, 亨利梅哲 | A♭ Major | 1 | 4B | 103 BPM | ||
Alceste (Sung in French): Overture | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Siegmund Nimsgern, Tom Krause, Robert Gambill, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo | C Minor | 0 | 5A | 69 BPM | ||
Keyboard Concerto in D Major, Op. 7, No. 3, W. C57: I. Allegro con spirito | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | A Major | 1 | 11B | 134 BPM | ||
Ariodante HWV 33 / Act 1: Sinfonia pastorale | George Frideric Handel, English Chamber Orchestra, Raymond Leppard | F Major | 0 | 7B | 50 BPM | ||
25 Études faciles et progressives, Op. 100: No. 25, La chevaleresque | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 99 BPM | ||
Oboe Concertino in G Major, Bryan G5: II. Minuetto. Moderato | Johann Baptist Vanhal, Vojtěch Podroužek, Jan Karas, Magdaléna Kutišová, Libor Ježek, Pavla Honsová, David Matoušek, Petr Kupčák, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
Undine: Act II: Entracte | Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn | E♭ Minor | 0 | 2A | 139 BPM |
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