Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn's 'Undine: Act II: Entracte' came out on January 1, 2005. With Undine: Act II: Entracte being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 14 out of 37. On top of that, United States appears to be the country where this track was created. Based on our statistics, Undine: Act II: Entracte's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Undine: Act II: Entracte by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus: Act III: Hi, hi … da bin ich ja eh richtig … Mein Kopf! (Frank) | Johann Strauss II, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM | ||
Serenade in C Major, Op. 10: IV. Tema con variazioni: Andante con moto | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | C Major | 1 | 8B | 133 BPM | ||
Les brigands (Sung in German): Act I: Dieser Bursche macht uns viel Ehr… (Fragoletto, Carmagnola, Pietro, Domino, Barbavano, Chorus) | Jacques Offenbach, Hubert Möhler, Eva Csapo, Jean van Ree, Heinz Kruse, Gerd Vespermann, Martha Mödl, Marita Knobel, Gottfried Mehlhorn, Doris Bierett, Theo Altmeyer, Alejandro Vazquez, Otto Höpfner, Evelyn Künneke, Kurt Steigers, Gerhard Peters, Jörg Pavelec, Heinz Heidbüchel, Barbara Dommer, Rita Fischer, Friedegard Herwig, Margret Jacoby, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Pinchas Steinberg | A Major | 3 | 11B | 107 BPM | ||
Messa da Requiem: Dies irae: Rex tremendae | Giuseppe Verdi, Violeta Urmana, Olga Borodina, Ramón Vargas, Ferruccio Furlanetto, Cologne West German Radio Chorus, North German Radio Chorus, Turin Radio Chorus, West German Radio Symphony Orchestra, Semyon Bychkov | F Major | 0 | 7B | 77 BPM | ||
Der Vampyr (The Vampire): Act II Scene 17: Quintet mit Chor: Endlich, ALter, find ich dich (Suse, Blunt, Gadshill, Scrop, Green Chorus) | Heinrich Marschner, Markus Marquardt, Regina Klepper, Jonas Kaufmann, Franz Hawlata, Yoo-Chang Nah, Anke Hoffmann, Heinz Heidbüchel, Kay Immer, Franz Gerihsen, Josef Otten, Marietta Schwittay-Niedzwicki, Dirk Schortemeier, Thomas Dewald, Cologne Radio Chorus, Cologne Radio Orchestra, Helmut Froschauer | C Major | 3 | 8B | 86 BPM | ||
Saint-Saëns: Le carnaval des animaux, R. 125: XIV. Final | Camille Saint-Saëns, Michel Plasson, Mikhail Rudy, Tzimon Barto, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 94 BPM | ||
String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": V. Ritirata con variazioni | Luigi Boccherini, Mayumi Seiler, Silvia Walch, Diemut Poppen, Richard Lester, Howard Penny | A Major | 3 | 11B | 118 BPM | ||
Grande Messe des Morts: Sequentia: Dies irae | Francois-Joseph Gossec, Eva Csapo, Hildegard Laurich, Alessandro Corbelli, Cologne West German Radio Chorus, Cappella Coloniensis, Herbert Schernus | F♯ Minor | 1 | 11A | 116 BPM | ||
Symphony in D Major, G. 500: IV. Presto | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | D Major | 3 | 10B | 91 BPM | ||
Der Vampyr (The Vampire): Act I Scene 8: Trio: Wie? Mein Vater? (Malwina, Aubry, Davenaut, George) | Heinrich Marschner, Markus Marquardt, Regina Klepper, Jonas Kaufmann, Franz Hawlata, Yoo-Chang Nah, Anke Hoffmann, Thomas Dewald, Heinz Heidbüchel, Kay Immer, Franz Gerihsen, Josef Otten, Marietta Schwittay-Niedzwicki, Dirk Schortemeier, Cologne WDR Radio Chorus, WDR Sinfonieorchester Köln, Helmut Froschauer | E♭ Major | 2 | 5B | 74 BPM |
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