Heinrich Marschner, Markus Marquardt, Regina Klepper, Jonas Kaufmann, Franz Hawlata, Yoo-Chang Nah, Anke Hoffmann, Heinz Heidbüchel, Kay Immer, Franz Gerihsen, Josef Otten, Marietta Schwittay-Niedzwicki, Dirk Schortemeier, Thomas Dewald, Cologne Radio Chorus, Cologne Radio Orchestra, Helmut Froschauer made "Der Vampyr (The Vampire): Act II Scene 17: Quintet mit Chor: Endlich, ALter, find ich dich (Suse, Blunt, Gadshill, Scrop, Green Chorus)" available on October 29, 2013. With this song being about 5 minutes long, at 4:48, "Der Vampyr (The Vampire): Act II Scene 17: Quintet mit Chor: Endlich, ALter, find ich dich (Suse, Blunt, Gadshill, Scrop, Green Chorus)" by Heinrich Marschner, Markus Marquardt, Regina Klepper, Jonas Kaufmann, Franz Hawlata, Yoo-Chang Nah, Anke Hoffmann, Heinz Heidbüchel, Kay Immer, Franz Gerihsen, Josef Otten, Marietta Schwittay-Niedzwicki, Dirk Schortemeier, Thomas Dewald, Cologne Radio Chorus, Cologne Radio Orchestra, Helmut Froschauer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Heinrich Marschner, Helmut Froschauer's "Marschner: Der Vampyr" album is number 9 out of 26. On top of that, Germany appears to be the country where this track was created. Der Vampyr (The Vampire): Act II Scene 17: Quintet mit Chor: Endlich, ALter, find ich dich (Suse, Blunt, Gadshill, Scrop, Green Chorus) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Der Vampyr (The Vampire): Act II Scene 17: Quintet mit Chor: Endlich, ALter, find ich dich (Suse, Blunt, Gadshill, Scrop, Green Chorus) by Heinrich Marschner, Markus Marquardt, Regina Klepper, Jonas Kaufmann, Franz Hawlata, Yoo-Chang Nah, Anke Hoffmann, Heinz Heidbüchel, Kay Immer, Franz Gerihsen, Josef Otten, Marietta Schwittay-Niedzwicki, Dirk Schortemeier, Thomas Dewald, Cologne Radio Chorus, Cologne Radio Orchestra, Helmut Froschauer to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Diamants de la couronne, S. 34: Overture | Daniel Auber, Estonian National Symphony Orchestra, Neeme Järvi | C Major | 2 | 8B | 147 BPM | ||
Carmen (Sung in Italian): Act III: Qui dei contrabbandier (Micaela) | Georges Bizet, Giulietta Simionato, Gabriella Tucci, Mario del Monaco, Scipio Colombo, Santa Chissari, Anna Di Stasio, Arturo La Porta, Mariano Caruso, Paolo Montarsolo, Gabriele De Julis, Tokyo Broadcasting Chorus, Nikkai Chorus Group, Fujiwara Opera Chorus, NHK Symphony Orchestra, Nino Verchi | D Major | 1 | 10B | 0 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique | Benjamin Britten, Ensemble Allegria | A Minor | 0 | 8A | 83 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Final Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 6 | 9B | 184 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Youth | Dmitri Shostakovich, Nikolaus Boewer, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald | G Major | 1 | 9B | 145 BPM | ||
Mussorgsky: Boris Godunov, Prologue: Introduction | Modest Mussorgsky, Issay Dobrowen, Orchestre National Radiodiffusion Française | C Major | 1 | 8B | 149 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: VII. Var. VI. Allegro con Spirito | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | C Minor | 1 | 5A | 140 BPM | ||
Der Holzdieb: "Seht den Saufhans! Seht das Bierfass!" (Barbara, Lorenz, Felix, Suschen) | Heinrich Marschner, Kleines Orchester des Südwestfunks, Hans Gierster, Erika Ahsbahs, Sanders Schier, Johannes Hoefflin, Antonia Fahberg | E Major | 1 | 12B | 122 BPM |
Section: 0.7702114582061768
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