"Grande Messe des Morts: Sequentia: Dies irae" by Francois-Joseph Gossec, Eva Csapo, Hildegard Laurich, Alessandro Corbelli, Cologne West German Radio Chorus, Cappella Coloniensis, Herbert Schernus was released on January 1, 2005. The duration of Grande Messe des Morts: Sequentia: Dies irae is about 3 minutes long, at 3:04. Based on our data, "Grande Messe des Morts: Sequentia: Dies irae" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Francois-Joseph Gossec, Herbert Schernus's "Gossec, F.-J.: Grande Messe Des Morts" album is number 5 out of 22. On top of that, United States appears to be the country where this track was created. In terms of popularity, Grande Messe des Morts: Sequentia: Dies irae is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grande Messe des Morts: Sequentia: Dies irae by Francois-Joseph Gossec, Eva Csapo, Hildegard Laurich, Alessandro Corbelli, Cologne West German Radio Chorus, Cappella Coloniensis, Herbert Schernus to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gossec : Requiem : X Quid sum miser | Francois-Joseph Gossec, Louis Devos, Musica Polyphonica | B Major | 2 | 1B | 119 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Tambourin (arr. for flute and harp) | Anonymous , Francois-Joseph Gossec, Janos Balint, Deborah Sipkai | F Major | 1 | 7B | 131 BPM | ||
Bassoon Concerto in F Major, RV 485: I. Allegro | Antonio Vivaldi, Tamás Benkócs, Nicolaus Esterhazy Sinfonia, Béla Drahos | F Major | 1 | 7B | 97 BPM | ||
Lady Radnor's Suite: V. Slow Minuet | Hubert Parry, Capella Istropolitana, Adrian Leaper | D Major | 1 | 10B | 120 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Quartet in D Major, RH. 181: I. Larghetto | Francois-Joseph Gossec, Orchestre de Saint-Christol | G Minor | 1 | 6A | 159 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": I. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | D Major | 1 | 10B | 118 BPM |
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