Hubert Parry, Capella Istropolitana, Adrian Leaper's 'Lady Radnor's Suite: V. Slow Minuet' came out on April 10, 1990. The duration of Lady Radnor's Suite: V. Slow Minuet is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Lady Radnor's Suite: V. Slow Minuet's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 20 in English String Festival by Capella Istropolitana. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Lady Radnor's Suite: V. Slow Minuet's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lady Radnor's Suite: V. Slow Minuet by Hubert Parry, Capella Istropolitana, Adrian Leaper is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Apres un reve, Op. 7, No. 1 (arr. for flute and harp) | Anonymous, Gabriel Fauré, Janos Balint, Deborah Sipkai | F Major | 1 | 7B | 120 BPM | ||
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Albrecht Mayer, Karina Wisniewska | D Major | 0 | 10B | 94 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 1 | 4A | 101 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM |
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