Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling made "Amadis de Gaule, W. G39: Act II Scene V: Gigue" available on January 1, 1990. The duration of Amadis de Gaule, W. G39: Act II Scene V: Gigue is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Amadis de Gaule, W. G39: Act II Scene V: Gigue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 57 in Bach, J.C.: Amadis De Gaule by Johann Christian Bach, Helmuth Rilling. Based on our statistics, Amadis de Gaule, W. G39: Act II Scene V: Gigue's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Amadis de Gaule, W. G39: Act II Scene V: Gigue by Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto in D Major, Op. 13 No. 2: III. Allegro | Johann Christian Bach, Ingrid Haebler, Capella Academica Wien, Eduard Melkus | D Major | 2 | 10B | 145 BPM | ||
Symphony No. 8: I - I. Veni, creator spiritus - Live | Gustav Mahler, Nancy Gustafson, Jeanine De Bique, Mary Phillips, Nancy Maultsby, Anthony Dean Griffey, Wolfgang Schöne, Jason Grant, Christine Brewer, New York Choral Artists, The Dessoff Symphonic Choir, Lorin Maazel, New York Philharmonic | A♭ Major | 3 | 4B | 106 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Keyboard Sonata in E-Flat Major, Op. 5 No. 4: II. Rondeau | Johann Christian Bach, Ingrid Haebler | D Major | 1 | 10B | 118 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: III. Allegro non tanto | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | D Major | 2 | 10B | 121 BPM | ||
12 Études caractéristiques, Op. 2: No. 6 in F-Sharp Major, "Si oiseau j'etais, a toi je volerais!" | Adolf von Henselt, Sergio Gallo | F♯ Major | 1 | 2B | 100 BPM | ||
Amadis de Gaule, W. G39: Act II Scene II: Andante gracioso | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | F Minor | 0 | 4A | 85 BPM | ||
Heidenröslein, D. 257 (Op.3/3) | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 80 BPM |
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