"Alceste (Sung in French): Overture" by Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Siegmund Nimsgern, Tom Krause, Robert Gambill, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo was released on July 1, 2016. Alceste (Sung in French): Overture is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Christoph Willibald Gluck, Serge Baudo's "Gluck: Alceste (Highlights)" album is number 1 out of 15. On top of that, Germany appears to be the country where this track was created. Alceste (Sung in French): Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alceste (Sung in French): Overture by Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Siegmund Nimsgern, Tom Krause, Robert Gambill, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Proserpine: Overture in D Major: I. Allegro spiritoso | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 3 | 10B | 140 BPM | ||
Piano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenuto | Martha Argerich, Bavarian Radio Symphony Orchestra | G Minor | 1 | 6A | 85 BPM | ||
Symphony in G Major, Op. 11 No. 1: III. Allegro assai | Joseph Bologne, Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 75 BPM | ||
Concertino in E flat, J109 (Op. 26): I: Adagio ma non troppo - | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | C Major | 1 | 8B | 174 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Oboe Concerto in D Major, TrV 292: I. Allegro moderato | Richard Strauss, Copenhagen Philharmonic Orchestra, Toshiyuki Kamioka | D Major | 1 | 10B | 77 BPM | ||
Lohengrin, WWV 75 / Act 3: "Weh, nun ist all unser Glück dahin!" | Richard Wagner, Gundula Janowitz, James King, Bavarian Radio Symphony Orchestra, Rafael Kubelík | C Major | 0 | 8B | 86 BPM | ||
Les Danaides: Act I: Dance | Antonio Salieri, Montserrat Caballé, Jean-Philippe Lafont, Andrea Martin, Carlo Tuand, Christer Bladin, Maria Trabucco, RAI Chorus, Rome, RAI Symphony Orchestra, Rome, Gianluigi Gelmetti | D Major | 1 | 10B | 121 BPM | ||
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Recitativo - Moderato - Allegro - Preghiera | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | F Minor | 1 | 4A | 86 BPM | ||
Turandot, SC 91: Perché tarda la luna? | Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | A♭ Major | 0 | 4B | 86 BPM |
Section: 0.7499728202819824
End: 0.7535169124603271