Turandot, SC 91: Perché tarda la luna? - Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić Information

Acousticness: 97%
Danceability: 11%
Energy: 4%
Instrumentalness: 15%
Liveness: 29%
Loudness: 62%
Speechiness: 4%
Valence: 5%
Popularity: 1%
Loudness: -22.691 dB

Summary

"Turandot, SC 91: Perché tarda la luna?" by Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić was released on November 15, 2019. With this song being about 5 minutes long, at 4:38, "Turandot, SC 91: Perché tarda la luna?" by Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 14 in Famous Opera Choruses by Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić. Turandot, SC 91: Perché tarda la luna? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Turandot, SC 91: Perché tarda la luna? BPM

The tempo marking of Turandot, SC 91: Perché tarda la luna? by Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Turandot, SC 91: Perché tarda la luna? Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)	Renato Cellini, Robert Shaw	A♭ Major	1	4B	168 BPM
Madama Butterfly (1986 - Remaster), Act II: Scuoti quella fronda di ciliegio	Giacomo Puccini, Renata Scotto, Anna Di Stasio, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli	E♭ Major	1	5B	87 BPM
Fedora: Amor ti vieta	Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon	A Major	1	11B	83 BPM
Puccini: Un bel di, vedremo, Madama Butterfly	Celine Byrne, Giacomo Puccini, RTÉ National Symphony Orchestra, Marco Zambelli	D♭ Major	1	3B	90 BPM
Les pêcheurs de perles, WD 13 / Act I: "C'était le soir" ... "Au fond du temple saint"	Georges Bizet, Rolando Villazón, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin	E Major	0	12B	79 BPM
Casanova: Nuns' Chorus	Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge	F♯ Major	2	2B	88 BPM
Puccini: Tosca, Act I: "Tre sbirri, una carrozza" (Scarpia, Spoletta, Coro)	Giacomo Puccini, Zubin Mehta, Coro di Roma della RAI, Mauro Buffoli, Ruggero Raimondi, Orchestra Sinfonica di Roma della RAI	F♯ Major	2	2B	72 BPM
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido)	Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants	F♯ Minor	0	11A	80 BPM
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino)	Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener Philharmoniker	B♭ Major	1	6B	111 BPM
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra)	George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson	E Major	0	12B	72 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6844685077667236

End: 0.6888754367828369