"25 Études faciles et progressives, Op. 100: No. 25, La chevaleresque" by Franz Burgmüller, The Gerst Ensemble was released on June 1, 2020. The duration of 25 Études faciles et progressives, Op. 100: No. 25, La chevaleresque is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. 25 Études faciles et progressives, Op. 100: No. 25, La chevaleresque's duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 25 in Classical Folder Burgmüller by Franz Burgmüller, The Gerst Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, 25 Études faciles et progressives, Op. 100: No. 25, La chevaleresque is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 25 Études faciles et progressives, Op. 100: No. 25, La chevaleresque by Franz Burgmüller, The Gerst Ensemble is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Serenade in E Major, Op. 23, No. 6, G. 150: VIII. Presto assai | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 90 BPM | ||
Symphony in C Major, Op. 2 No. 3 "The Chaplet": I. Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 3 | 8B | 121 BPM | ||
Lamento No. 1 | João Marcondes, O Imprevisível Núcleo de Compositores | C Major | 1 | 8B | 169 BPM | ||
Water Music Suite No. 1 in F, HWV 348: 2. Allegro - Andante - Allegro | George Frideric Handel, English Chamber Orchestra, Leslie Pearson, Raymond Leppard | F Major | 2 | 7B | 129 BPM | ||
6 Hungarian Dances: No. 4. Con Verbunk | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | B♭ Major | 0 | 6B | 123 BPM | ||
Romance No.2 in F, Op.50 | Various Artists | A Minor | 0 | 8A | 107 BPM | ||
Pulcinella Suite: I. Sinfonia. Allegro moderato | Igor Stravinsky, Pablo Heras-Casado, Mahler Chamber Orchestra | C Major | 0 | 8B | 140 BPM | ||
Adagio for a Musical Clock, WoO 33/1 | Ludwig van Beethoven, Jeremy Polmear, Diana Ambache | F Major | 0 | 7B | 168 BPM | ||
Symphony in F Major, F. 28: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 87 BPM | ||
Symphony in A Major, Brown A4: III. Allegro | Karl von Ordóñez, Toronto Chamber Orchestra, Kevin Mallon | F Major | 0 | 7B | 80 BPM |
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