Ludwig van Beethoven, Jeremy Polmear, Diana Ambache's 'Adagio for a Musical Clock, WoO 33/1' came out on 1996. With this song being about 5 minutes long, at 4:51, "Adagio for a Musical Clock, WoO 33/1" by Ludwig van Beethoven, Jeremy Polmear, Diana Ambache is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Oboe Masterworks". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. The popularity of Adagio for a Musical Clock, WoO 33/1 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio for a Musical Clock, WoO 33/1 by Ludwig van Beethoven, Jeremy Polmear, Diana Ambache having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concerto in F Major, WoO 23, S63: II. Romanza: Andantino e cantabile | Johann Nepomuk Hummel, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp | B♭ Major | 0 | 6B | 81 BPM | ||
Das Waldmädchen: No. 19, Masur | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Klarinettenkonzerte Nr.1op.73 & Nr.2 op.74 · Concertino op.26, Konzert für Klarinette und Orchester Nr.2 Es-dur op.74: III. Alla Polacca | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | E♭ Major | 2 | 5B | 118 BPM | ||
Vivaldi: Flute Concerto in F Major, Op. 10 No. 1, RV 433 "La tempesta di mare": I. Allegro & II. Largo | Antonio Vivaldi, William Bennett, George Malcolm, English Chamber Orchestra | F Major | 3 | 7B | 94 BPM | ||
Spängler-Menuett I | Leopold Mozart, Bankhaus Spängler | D Major | 1 | 10B | 65 BPM | ||
L'Amant anonyme, Act II Scene 5: Ballet (4) | Joseph Bologne Chevalier de Saint-Georges, Haymarket Opera Company, Craig Trompeter | D Major | 1 | 10B | 136 BPM | ||
4 Romantic Pieces, Op. 75: No. 2, Allegro maestoso | Antonín Dvořák, Anthony Marwood, Susan Tomes | F Major | 1 | 7B | 141 BPM | ||
Symphony in C Major, Op. 2 No. 3 "The Chaplet": I. Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 3 | 8B | 121 BPM | ||
Clarinet Concerto No. 2 in F Minor, Op. 5: II. Andante pastorale | Bernhard Henrik Crusell, Per Billman, Uppsala Chamber Orchestra, Gerard Korsten | A♭ Major | 0 | 4B | 136 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM |
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