Joseph Bologne Chevalier de Saint-Georges, Haymarket Opera Company, Craig Trompeter made "L'Amant anonyme, Act II Scene 5: Ballet (4)" available on February 10, 2023. The duration of L'Amant anonyme, Act II Scene 5: Ballet (4) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. L'Amant anonyme, Act II Scene 5: Ballet (4)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Boulogne Chevalier de Saint-Georges, Haymarket Opera Company, Craig Trompeter, Nicole Cabell, Geoffrey Agpalo, David Govertsen's "Joseph Bologne Chevalier de Saint-Georges: L'Amant anonyme" album is number 18 out of 54. Based on our statistics, L'Amant anonyme, Act II Scene 5: Ballet (4)'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of L'Amant anonyme, Act II Scene 5: Ballet (4) by Joseph Bologne Chevalier de Saint-Georges, Haymarket Opera Company, Craig Trompeter to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in B-Flat Major, Op. 7 No. 2: II. Andante moderato | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | E♭ Major | 0 | 5B | 96 BPM | ||
Variations for Violin and Small Orchestra in C Major | Gioachino Rossini, Miklos Szenthelyi, Hungarian Virtuosi, Tamás Benedek | F♯ Major | 2 | 2B | 150 BPM | ||
Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: II. Allegro moderato | Max Bruch, Kent Nagano, Orchestre de l'Opéra de Lyon | A♭ Minor | 3 | 1A | 79 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: IV. Allegretto | Luigi Boccherini, José Miguel Moreno, La Real Cámara | C Major | 0 | 8B | 82 BPM | ||
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Recitativo - Moderato - Allegro - Preghiera | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | F Minor | 1 | 4A | 86 BPM | ||
Symphony No. 85 in B-Flat Major, Hob. I:85, "La Reine": III. Minuet - Trio | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | B♭ Major | 1 | 6B | 182 BPM | ||
Festa no Palácio das Fadas | Shaya Lambert, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Piano Quartet No. 1 in G Minor, Op. 25 (arr. A. Schoenberg): II. Intermezzo: Allegro ma non troppo | Arnold Schoenberg, Johannes Brahms, Csilla Szabó, Peter Komlos, Géza Németh, Karoly Botvay | F Minor | 0 | 4A | 109 BPM | ||
Sonata No.6 in D Major, Op. 50: III. Larghetto | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Galliard | William Brade, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 63 BPM |
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