William Brade, The Royal Wind Music, Paul Leenhouts's 'Galliard' came out on December 19, 2014. With Galliard being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Sweete Musicke of Sundrie Kindes". In this album, this song's track order is #7. Galliard is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Galliard by William Brade, The Royal Wind Music, Paul Leenhouts having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Fischer und das Milchmädchen: XVI. Andante agitato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Oboe Concerto in C minor, TWV 51:c1: 1. Grave | Georg Philipp Telemann, Heinz Holliger, Academy of St. Martin in the Fields, Iona Brown | C Major | 1 | 8B | 67 BPM | ||
The Red Bean Poem | The Royal Wind Music | E♭ Minor | 0 | 2A | 87 BPM | ||
No.12 Paduana | William Brade, Leo Maiwald | C Major | 5 | 8B | 177 BPM | ||
Pseaume 68 (exurget deus, a6) | Jan Pieterszoon Sweelinck, The Royal Wind Music, Paul Leenhouts | F♯ Major | 0 | 2B | 175 BPM | ||
Harpsichord Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, New Bach Collegium Musicum Leipzig, Burkhard Glaetzner, Paul Leenhouts, Karel Van Steenhoven, Christine Schornsheim | A Major | 2 | 11B | 148 BPM | ||
Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuet - Remastered 2024 | Johann Sebastian Bach, Orchestre Des Cento Soli, Hermann Scherchen, Cento Soli Orchestra | B♭ Major | 2 | 6B | 85 BPM | ||
Pseaume 134 (Ecce nunc benedicite dominum, a6) | Jan Pieterszoon Sweelinck, The Royal Wind Music, Paul Leenhouts | F♯ Major | 1 | 2B | 82 BPM | ||
Symphony No. 23 in D Major, K. 181 (162b): II. Andantino grazioso | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt | B Minor | 0 | 10A | 102 BPM | ||
No.30 Paduana | William Brade, Leo Maiwald | C Major | 2 | 8B | 143 BPM |
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